I lived in a council house on the ring road in Liverpool (Queens Drive) – and had very supportive parents (although I might not have thought so at the time). I went to a Catholic Boys’ Grammar School, St Francis Xavier’s – I and was very religious (up until the moment I was 18 – and then never went to church again!).
By the age of 18, I was sick and tired of academic life – and just wanted to get on and work. I was the only boy in our sixth form not to apply to go to University. I had the grades – but decided to undertake a vocational course in Press Photography for a year. Before that, I’d had to make some difficult career decisions. I had a large model railway set and thought a career as an engineer might be interesting. Tempered with that, I had a keen interest in photography. Luckily, I decided to sell my model railway set – and buy a better camera!
Once I’d decided to follow a career as a press photographer, I really did not apply myself to A Level studies. I could not see the relevance. However, I did want to learn relevant skills – and I made one of the best decisions of my life … to learn how to touch type. I spent many hours (when I should have been revising for my A Levels) sitting at my sister’s old typewriter in my room teaching myself to type. It’s a skill I still use today – and think it’s essential for any youngster to learn. I am sure that access to computer keyboards will make it a more natural skill for this generation of youngsters.
In pursuing my love of photography – the dream was to be able to photograph Liverpool FC at Anfield. It was virtually impossible to get access as a photographer (still is today). A friendly photographer at the Liverpool Echo tipped me off that a paper called “The News Line” wanted a photographer to shoot the first 10 minutes of each match on colour film – in return for a photographer’s pass. “The News Line” is the newspaper of the Workers Revolution Party (WRP) – and at the time was the only colour daily newspaper in the UK. I didn’t ever read the paper – but was always very proud of my colour picture on the back page after a Liverpool or Everton match. One of the pictures I took – of a fan with a dart in his neck – ended up being named on of the 100 best football pictures of all time. I bet the WRP would be surprised at the help they gave to my career!
My life changed in 1997. Two young investment bankers – Jonathan Klein and Mark Getty – had decided that the industry they would like to consolidate was photo licensing. This decision proved to be a profitable choice for them – and made millionaires of many photo agency proprietors along the way. It was a stroke […]
In the late 1990s, there was pressure within the sports photo industry from sports rights holders (the likes of the FA Premier League, the IOC and individual football clubs). These rights holders could not see the value of photography agencies and individual photographers being given free and unrestricted access to sports events. Rights holders got […]
In 1992, I was approached by Peter Robinson, FIFA’s Official Photographer for many years – and a personal friend. He had been asked to find a photographer to work with UEFA and TEAM Marketing on their new concept of the UEFA Champions League. He felt as FIFA’s photographer, he could not get involved – and […]
At the end of the 1990s, sports rights holders were increasingly restricting the access of photography agencies and individual sports photographers into events. The story was not a new one – up until 1972, only one photographic agency was allowed in to a cricket ground to photograph test matches. Things were looking like turning full […]
I first heard the term “funemployment” back in 2009. There was an article in the LA Times that summed up the “situation” I was in after selling my business, EMPICS. It had been a challenge to give an answer when, in your 40s, and people ask politely what you do – or forms arrive that […]